The first shots of the Civil War were fired in South Carolina during
April of 1861. Although most of the fighting over the next four years
took place in the South, it eventually spread across the country, all
the way to Wilmington, California.
In 1862, a military outpost was built near
the Los Angeles Harbor. It was called the Drum Barracks and was a key
center for training and processing troops. Today, all that remains is a
single building, which is now a museum with some very unlikely tour
guides.
Marge O’Brien is the museum’s director and curator:
Marge O’Brien is the museum’s director and curator:
“You can lock the rooms at night.
In fact, very religiously. I check all the rooms. They’re locked, the
lights are off, the shades are down, and you come here at 8:00 in the
morning and the light in the parlor might be on and
then again it might not, but the shades may be up.”
then again it might not, but the shades may be up.”
Marge was hired to restore the rundown building after it was declared a historic landmark:
“It was a very dark, very sad
feeling as you walked through. And it was just the kind of a building
that was saying, ‘Help me.’
Marge, a team of craftsmen, and volunteers
worked for months overhauling the museum. The old building slowly came
back to life, in more ways than one. According to Marge, spooky
occurrences became normal:
“I’m sitting in my office and
something will take my attention. Either a window will rattle, the roses
will hit against the window, some the wind possibly. But something
attracts me to the fact that I should be checking something. I will walk
over to the parlor. Nine chances out of ten when I have this feeling
and I open the door, more likely than not, the lights on the table are
on. Most times, I will walk up the stairs and check the gun room. Very
often, that too has the lights on and the window blinds open even though
they have been closed and down. Because, the rule here is that after
every tour, you pull the shades down, turn off the light and lock the
door.”
Yasmin Malyeri, one of the volunteers, also began to believe that the building was haunted:
“I put down the blinds and turned
off the light and locked the door and left. Came downstairs and left
the building. There was nobody around. When I looked up, I saw the
blind went up really slowly. It gave the impression that someone was
holding it, you know, someone was doing it.”
Fred Duran, an exterminator for the city of Los Angeles, became a believer during one of his regular stops at the museum:
“To me, a ghost was like Casper
the Friendly Ghost, or some movie or something. I guess one doesn’t
believe in them until you are really convinced. As I got into the
kitchen that morning, I heard some footsteps behind me and I thought
that it was the caretaker.
According to Fred, a man’s voice behind him
said, “I need to get some water.” Fred says he didn’t pay much
attention. Then the man asked, “Have you seen Maria?” According to Fred:
“As I turned around, there was
this guy there, and I thought it was kinda odd because he was in a civil
war outfit. So as I was going out, I saw the caretaker there and the
workmen also, and I just asked him, I said, ‘Hey, the guy that lives
here takes his job seriously.’ And they said, ‘You saw the Captain’s
ghost.’”
Marge O’Brien says she believes Fred:
“If Fred said he saw it, he saw
it. I have no doubts in that. Fred’s a very honest man. My reaction is,
I wonder why he had to come now, and why to Fred”
Marge asked psychic Barbara Conner to search
the museum for ghosts. According to Barbara, the Drum Barracks was full
of restless spirits and she claims to have met several of them in the
officer’s lounge. Two were playing cards, another stood by the window
looking through the curtains. But, according to Barbara, one phantom
seemed more aggressive than the rest:
“He looked at me and he said, “I
want this chair closer to the fireplace because I’m cold.” He also said
his boot is too tight for him.”
Marge said that information rang a bell:
“What was interesting is my
research showed that Colonel Curtis, who was the commander here the
longest, had frostbitten his left foot when he was fighting Indians up
in Washington. Right around the ankle, above where the nerve endings
were, there was a great deal of pain which he suffered much of his life.
He would wear a boot that was a size smaller so that he could have more
control of that foot and he dragged it. There is no way Barbara could
have known that when she walked into the room. I had just started to
uncover this research.”
Barbara says that she continued to have visions upstairs, which seemed to explain some of the strange noises:
“I told Marge, I said, ‘There’s a
little boy here. And he’s throwing the ball up against the wall.’ She
says, ‘Well, we’ve heard this thump, thump thump, and we couldn’t figure
out what it is.’ And I said, “Well, that’s it. He’s throwing this ball
up against the wall. If you want him to stop, just tell him to stop and
he’ll stop.’”
At the end of the tour, Barbara said she “saw” the ghosts of Colonel Curtis and his officers in a planning session:
“The Colonel was standing there
at the table, and when we came in, he left what he was doing and went
over and started digging in this box. And he turned to me, and mentally
projected that he wants his award. He wants the award. He’s trying to
find an award. And I said, ‘What award?’ And he says, ‘I have an award,
I want my award, and I want it on that wall.’”
Marge O’Brien said she had no information about Colonel Curtis having an award or a plaque on his wall:
“But I discovered later that when
he left Washington, Colonel Curtis did receive an award for his work
with the Indians. And possibly that could have been the plaque.”
Do the long-dead spirits of the Civil War
still roam the drum barracks at this log-abandoned military base? Those
who have experienced the hauntings believe the museum is alive with
history.
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